Coixet has been working for years on collages of paper and photos reminiscent of the preparatory plans used by some Hollywood directors, who left nothing to chance. There is a continuity between what the filmmaker demands of viewers in her films and the narrative space where her collages place visitors. These works connect with the great avant-garde tradition of the genre—from Hanna Höch to Kurt Schwitters—and link Coixet with a certain precariousness, with that way of working with little that, in some way, the filmmaker also pursues in her cinema.