The plastic radical evolution of Bellver was already emerging in that mentioned pabillion, in Hannover, where his installation ZU consists of 66 full up of earth urns. That earth was caught by people who had travelled all around the world.

On this occasion, the artist presents several series of works where lies are the common denominator. By means of keen plays of forms and shadows, the artist investigates the aparence objets and they are contrasted with reality. Bellver, encouraged by his affinity with dadaist premises, gets different formal looks without giving up they determine him in his conceptual aspects. Without altering(or changing??) his principles, but using several ideas simultaneously, it can be reconogised diferrent subjects if the best figurative tradition: the human figure, dead natures, nudes, artist´s selfportrait, but using new supports with absolute contemporaring: light boxes, photographs, bronze or polyester sculptures.