Lo tengo en la punta de la lengua combines language and writing—tongues of lime and earth, texts and quotations, string games and figures of speech, slips of the tongue, sound interventions featuring strange and nearly extinct languages, birdsong—with materials such as sand, coal, metal, lime, felt, Dibond, and plastic. The exhibition brings together associations, metamorphoses, and groupings between the body, organs and languages, the elements of nature and everyday objects, which act as a constellation of signs with semantic statements where networks of knowledge intersect, knot together, and are transferred from the realm of the senses.