About twenty works of different formats have been selected. The aesthetics are framed within the constructive avant-garde, halfway between painting and sculpture, between two-dimensionality and volume. The common denominator continues to be a subtle treatment of wood, taking advantage the its texture and color of the cut boards, always combining it in some of its parts with a slight polychrome. The main axis Agustín de Llanos’ work is his devotion to matter, and the treatment of the idea of ​​space through compositions that, through their fragmentation into planes, reveal a continuous tension between the formless and the articulated, a singular mixture of fragility and elegance.